For Longing
From 2012 to 2015, Christen Mattix sat knitting a halfmile rope to Bellingham Bay from a former bus stop in Bellingham, WA. During the growing season, she knit every day for one hour, (holidays, weekends, and rainy days included) until the rope reached the Bay. Mattix considered it an "urban drawing" that embellished the sidewalk, calling attention to the overlooked. The most rewarding part of the project was knitting the community together. “I had a longing for face-to-face interaction with the neighbors, but I didn’t realize it. It took this project to bring that about.” Mattix says. “It's also about my desire to connect spiritually through a daily meditation practice… I achieved a goal that seemed impossible, by focusing on one stitch at a time.” Christen’s memoir, Skein: The Heartbreaks and Triumphs of a Long Distance Knitter, vividly recounts this one-of-a-kind journey into the heart of a neighborhood.
Fiber Projects 2009 - 2025
Using ordinary materials, Christen creates transformative performances and sculptures.
"For Longing Project" (performance view: sun), 2012, digital photo, 8.5 x 11 inches.
"For Longing Project" (performance view: rain), 2014, digital photo, 8.5 x 11 inches.
Installation of "For Longing" show at Social Fabric Gallery, 2016. (image credit: Renee Sherrer)
"A Half a Mile of Longing," 2016, acrylic yarn, hose reel, knitting needles.
"Urban Drawing 1," (knit line on road), 2017, Christen Mattix, digital photo, 8.5 x 11 inches.
"Urban Drawing 2," (knit line on crosswalk) 2017, Christen Mattix, digital photo, 8.5 x 11 inches
"Urban Drawing 3" (knit line with berries), 2017, Christen Mattix, digital photo, 8.5 x 11 inches
"Urban Drawing 4," (tangled line), 2017, Christen Mattix, digital photo, 8.5 x 11 inches
"Urban Drawing 5," (knit line with red leaf), 2017, Christen Mattix, digital photo, 8.5 x 11 inches.
"Neighborhood Procession to Bellingham Bay with Knit Line," 2015, Christen Mattix, digital photo, 8.5 x 11 inches.
"Procession to Bellingham Bay with Neighbors and Knit Line," 2015, Christen Mattix, digital photo, 8.5 x 11 inches. (image credit: Renee Sherrer)
"Christen and the Hose Reel on Taylor Dock," 2015, digital photo, 8.5 x 11 inches. (image credit: Renee Sherrer)
"Arrival," 2015, digital photo, 8.5 x 11 inches. (image credit: Janelle Bighinatti)
"Connections Made Visible," 2015, digital photo, 8.5 x 11 inches. (image credit: Janelle Bighinatti)
“The Ladder,” digital art by Stephen Yeakley, performed by Hannah Yeakley, coat by Christen Mattix, 2024
“The Coat That Flies Sometimes When No One is Looking”, work in progress, 2019 installation at Western Gallery, Western Washington University
"I am Listening With My Whole Being," 2011, handcast paper ears and thread, dimensions variable.
"Boneknit," 2009, ovenbaked clay and handknit cozy, 3 x 19 x 4 inches
"Through the Wringer," (pandemic courtship), 2020, vintage wringer, songsheets, photo, and fabric
"Through the Wringer," detail
"Conversation" 2010, vintage lampstands, paper mache and wool, 30 x 28 x 4.5 inches
"Conversation," detail
"Mother-Daughter," 2010, Christen Mattix, ivy and yarn, dimensions variable.
"The Prophet," 2009, paper, tumble weed, spraypaint, 21 x 21 x 21 inches, sold.
"Bandaged Moments," 2010, masking tape and leaky water bottle, 13.5 x 7.5 x 1.5
"Scarred," 2010, Christen Mattix, vintage nails, ovenbaked clay and acrylic, 4 x 4 x 3 inches
"Knitting Meditation for Peace," 2010, vintage chair, yarn, knitting needles and lampstand, ephemeral performance documentation.
"Knitting Meditation for Peace," Installation in 2012 at Western Gallery, Western Washington University, Bellingham, WA